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Adobe audition manual download.Adobe AUDITION 1.5 User Manual – Download
Adobe Audition 1.5 Guide - Adobe audition manual download
Page Ascii Text Data. Page Creative Sound Blaster. Then, when Adobe Audition loads a. Page Windows Pcm. Page Pcm Raw Data. Use Edit View to record, play, convert, and edit single waveforms…and lots more. A wealth of effects are at your disposal, from delay effects like echoes and reverbs, to advanced functions such as noise reduction and dynamics processing. Click near the top of the left upper channel to select the left channel only. The mouse Spikes in the x-axis vertical indicate increased amplitude, and the y-axis horizontal represents time.
A second stereo. Moving the magnifying glass to the left zooms in, while moving it to the right zooms out. Page Wave Display Right-Click Menu Paste inserts data from the active clipboard at the insertion point, or it replaces the currently highlighted data.
Here are the major components of the Edit Sample Directly dialog: Sample is the number of the sample as measured from the beginning of the waveform. Page Open bit card. Page 63 Range bar. Page Revert To Saved This closes the currently displayed editing window.
Page Save Free space on all available drives is displayed in the right section of the window. Select a folder name from the Recent Folders drop-down box to quickly navigate to it. In this case, Adobe Audition asks you if you want to convert before saving.
Use the Output Format drop-down control to pick the Page 72 Undo instances. This frees up hard drive space as well. Actually, the number is only limited by the amount of free hard disk space.
Or, choose Windows to have Adobe Audition use the Windows clipboard. Page Mix Paste Clipboard data is inserted or overlapped beginning at the current insertion point or selection. The major components of the Mix Paste window are as follows Delete Silence Use this feature to have Adobe Audition automatically detect and remove silence between words or other audio. After completing the scan, suggested values are automatically placed in the appropriate boxes.
Page Auto-Cue such as —30 dB. Use higher values in the seconds box to keep groups of words together, for example. The duration in milliseconds of this minimum amplitude value should be entered in the For more than box.
Page Snapping If the volume is raised as part of the normalization process, Adobe Audition can apply limiting to prevent clipping. Press the Scan for Statistical Information button to have Adobe Audition analyze the current amplitude statistics for each listed waveform.
Page Out Of Band Peaks If this option is chosen, no limiting will be performed, which means you could end up with clipped No Limiting Clip distorted audio.
Although you can create and edit any sample type with Adobe Audition, your sound card may not be capable of playing it properly. Higher sampling rates generally yield better-quality waveforms.
Enter any sample rate directly, or choose a common sample rate from the list. Page 91 Check this box to activate Dithering; uncheck the box to turn Dithering off. By introducing noise shaping, you may be able to get away with lower Dither depths to reduce the overall background noise level, without introducing a lot of unwanted harmonic noise. Page 96 Drag either or both to set the beginning and ending times of the range.
Note: Adobe Audition automatically makes the second point of a cue range the end, even if you move the ranges around. These meters display both record and playback levels.
The Level Adobe Audition will then use the format chosen here when referencing time: the Time Window, the x-axis time ruler, time status boxes, Status Bar, etc. When extracting from a selection, Adobe Audition assumes that this is a downbeat. You can change the actual bar and beat number for the left edge of the selection or the current cursor point. Checkmark the desired icon group s to display. If no items are checked, the toolbar area will disappear until you check at least one icon group.
Enter the number of Fine Tune cents above the Note that the tone actually is. For best results, choose a 32x32 pixel image. Amplify dialog — Page DC Bias Adjust box ensures new recordings are perfectly centered. The readout below the graph displays the current x, y position of your mouse. Page Channel Mixer However, inverting only one channel places the channels out-of-phase and greatly changes the sound when played back whereby the previously in-phase information is canceled out.
Adobe Audition comes several Channel Mixer presets. More information on presets can be found in the Presets Page Dynamics Processing Press the Preview button to audition the selected Channel Mixer setting before you apply it to the waveform.
Preview The selection is looped until you press the Stop button. Page that is, all quiet sounds will be loud, and all loud sounds will be quiet. You can input Compress, Flat, or Expand settings for up to six sections or stages, each with its own ratio and threshold setting.
Simply enter the data to match the compressor you want. Here are its Gain Processor components: Output Gain is a gain applied to the output signal. Page Otherwise, with a Lookahead Time of 0, a spike will stay loud until all of the attack times have elapsed.
Page Envelope Press the Preview button to audition the selected dynamic range processing setting before you apply it to the Preview waveform. Page Press this button to update the Clipping Statistics display. It also lets you expand or narrow the stereo separation of the left and right channels. Page Stereo Field Rotate The expansion level can vary over time for interesting effects growing from a mono signal to a very wide stereo signal, for example. Page Delay Effects Press the Preview button to audition the current Stereo Field Rotate setting before you apply it to the waveform.
Page Chorus dialog Adobe Audition uses a direct-simulation method of achieving the chorus effect, which means that each voice or layer is made to sound distinct from the original by slightly varying the timing, intonation, and vibrato. You can use the Feedback setting to add extra detail to the result. Delay Rate Because the actual delay used varies over time, the pitch of the sample will increase or decrease over time, placing each voice slightly out of tune with the others which is what gives the effect of a separate voice.
Page Note that there is no need to check this box if the sample was originally monophonic, as it will have no result — except that if the box is checked, Adobe Audition will process the sample more slowly. Page Delay Press the Preview button to audition the current Chorus setting before you apply it to the waveform. The Preview selection is looped until you press the Stop button. Page Dynamic Delay Make sure there is enough silence at the end of the waveform for the delay trails to complete.
Page Echo Chamber Make sure there is enough silence at the end of the waveform for the echo trails to complete. Page a Dx Above Floor of 21 feet in a room with a Height of 20 feet, for example , Adobe Audition will use the greatest possible value 20 feet in this case. Page Flanger Press the Preview button to audition the current Echo Chamber setting before you apply it to the waveform. Page Press the Preview button to audition the current Flanger setting before you apply it to the waveform.
The larger a room is, the longer Room Size the reverbs are for that room. Page Try boosting the frequencies just around the natural frequency of their voice to enhance resonance in that range — say, in the Hz to Hz range. Once a room size and dimension are chosen, it is advisable to click this These are the frequency sliders directly beneath the graph.
Page However, this requires twice as many calculations as a single audio source. When unchecked, the original signal and its respective reverberated signal remain in its own channel. Page Multitap Delay Make sure that there is enough silence at the end of the waveform for the reverb trails to complete.
Page These are the characteristics used for the delay settings of each delay unit. Click on a different delay unit in the list or add a new one to bring up the Delay settings for that particular delay unit.
Adjusts the point in the delay line from which Adobe Audition will take the audio. It is then mixed into an earlier Offset point in the delay line, which will cause echoing. Page Press the Preview button to audition the current Multitap Delay setting before you apply it to the waveform.
Full Reverb is the newer of the two, and provides more options and better audio rendering. Page Sweeping Phaser This does, however, require twice as many calculations as a single audio source, so you can check this option for faster processing.
Filter Characteristics This slider lets your apply variable amounts of Sweep Gain, which is the gain applied to the phased signal. Each area uses a graph control for adjusting parameters. Page Press the Preview button to audition the current Dynamic EQ setting before you apply it to the waveform.
If this is not checked, the settings simply change in linear fashion over time. Page Graphic Phase Shifter Press the Preview button to audition the current Graphic Equalizer setting before you apply it to the waveform. Log scale is how the ear hears, so evenly spaced locations on the log scale represent what we hear as evenly spaced frequencies.
Page Press the Preview button to audition the current Notch Filter setting before you apply it to the waveform. Page Press the Preview button to audition the current Parametric Equalizer setting before you apply it to the Preview waveform. The selection is looped until you press the Stop button. Use the Master Gain sliders to reduce the level before applying the effect.
This functions as a toggle to let you adjust channels together or separately. The View time fields show the beginning, ending, and total time of the part of the waveform currently in the Waveform Display.
A session is simply a file that can contain multiple sound files organized into tracks and also retains information about when a certain sound is to be played a timeline for each track. Whatever you want to use this program for, you will most likely need to know how to do the following things: 1. After the application was started, you normally have a blank session open, where you can start adding sound files; however, you can select File - New Session if you want a new blank session, or want to change some settings like the sampling rate.
If size of the sound is a problem, use - radio quality; this will give you a smaller file size. Session files in Adobe Audition contain no audio data themselves.
Instead, a session file is a small file that points to other audio files on your hard drive. Open a session If you have saved a session, and you want to make further changes to it, you can reopen it using File - Open Session menu item. Add an existing sound file to the session Click on the track you want to load the sound in. Right click, and select the Insert - Audio options from the popup menu.
If you need the same sound multiple times, you should insert it once and, for subsequent uses, drag it from the Files tab of the treeview on the left to the track you want; this will keep the memory usage lower. Listen to what you have In the bottom section, click on the play button. This will play all tracks simultaneously according to the timeline, if you are in multitrack view. If you are in the edit view, this will only play the track you are currently editing.
To play just a part of a file, select that part in edit mode and then click play. Save a session After you are done with your work, you can save the file the session using the File - Save session menu item while the multitrack view is activated.
Please note that this will not give you a file that you can afterwards play in Winamp of any other music player. It will be a format specific to Adobe Audition. Note: If you have recorded a sound, that sound cannot be saved in the session file and it does not exist on your computer, so you must save it separately.
Adobe Audition will offer to save it as a separate sound file, in a compressed file format wma. If you need high quality for the recorded sound, you should switch to wav format. Basic audio editing 1. The Undo feature. This is one of the most important features to know about. Note that these backups are discarded once you close the program. Making a selection. To select a section of a file in edit mode you want to work on, you use the mouse as you would for selecting text in a word processor: you click at the position you want to start your selection and drag the mouse, while keeping the left button pressed, to the position you want to end the selection; at that point you release the mouse button.
Record If you need to record something and you are in multiview mode, you need to decide on a track you will record on. Skip to the next paragraph if you are in edit mode. You most likely want to select an empty track.
Once you decided on the track you want, click on it, and arm it for recording. You can start recording by then clicking on the record button in the bottom section where the controls are.
A vocoder takes two inputs, usually an instrument and a voice, and modulates one signal the process signal, usually the instrument with the other the control signal, usually the voice.
Page Chapter 9: Mixing Multitrack Sessions Adobe Audition saves information about source files and mix settings in session. Session files are relatively small because they contain only pathnames to source files and references to mix parameters such as volume, pan, and effect settings. Page Scroll to the same tracks in the Main panel and Mixer By default, Adobe Audition scrolls to different tracks in the Main panel and Mixer, maintaining unique positions in each.
To automatically scroll to the same tracks, link the Main panel and Mixer. Both tools let you select ranges and clips, but the Hybrid tool also lets you move clips. Page Basic Track Controls If you regularly create sessions with a specific track structure, use the Add Tracks command to instantly add multiple tracks of various types. Or, individually insert new tracks to precisely place them. Note: A multitrack session supports only one video track, which Adobe Audition always inserts at the top of the Main panel.
Hold down Shift to change settings in unit increments. Hold down Ctrl to change settings in fractional increments of one-tenth. Vocal B. Reverb bus receiving vocal and guitar sends C. Guitar D. Drums bus combining drum outputs E. Bass outputting direct to hardware F. Master track G. Hardware outputs Understanding bus tracks With bus tracks, you can combine the outputs of several audio tracks or sends and control them collectively.
Send 1 outputs to delay bus B. Send 2 outputs to reverb bus C. Master track combines vocal, guitar, delay, and reverb outputs Understanding the Master track A session always contains one Master track, so you can easily combine the outputs of multiple tracks and buses and control them with a single fader. Input gain B. Track volume D. Track mute E. Send F. The Main and Mixer panels provide quick access to commonly used settings; the Track EQ panel provides more precise and sophisticated controls.
The x-axis represents frequency, while the y-axis represents Graph amplitude. You can drag the three control points around the graph to adjust the EQ curve. As you do, the sliders move to reflect your changes. For example, you can add destructive effects to the version in an introduction while leaving the version in a verse dry.
Page Editing Clips Display, remove, or play hidden clips If clips overlap, you can display, remove, or play hidden clips. By default, Adobe Audition plays only displayed clips. To reveal more of a previously edited clip, extend the range beyond the current clip edges. When a clip is split, each part becomes a new clip that can be independently moved or deleted.
Drag controls in clip corners to fade in and out B. Crossfades overlapping clips. Deselect this option if automatic crossfades are undesirable Automatically Crossfade or interfere with other tasks, such as trimming clips. Page You can quickly time stretch a clip either by dragging or setting time stretch properties.
When you set properties for time stretching, you can specify which method of time stretching to use. When you save the session, Adobe Audition prompts you to save a copy of the source file with the new clip name.
Page Automating Mixes Adobe Audition provides several techniques for automating mixes. You may find that one method bests suits your working style and audio content. Page You can also rescale all volume envelopes in a session. Automating track settings With track envelopes, you can change volume, pan, and effect settings over time. Adobe Audition displays track envelopes in automation lanes below each track. Each automated parameter has its own automation lane and envelope, which you edit just like clip envelopes.
Page While playing a session, you can record adjustments you make to track volume, pan, and effect settings, creating a mix that dynamically evolves over time. Adobe Audition automatically converts your adjustments into track envelopes, which you can edit with precision.
Individual effect B. Entire rack C. Individual parameter Edit automation envelopes After you create clip or track envelopes, you can fine-tune them by dragging edit points while a session is playing or stopped. You can also enter a new cursor position here and Adobe Audition will recalibrate the session, including negative time. Determines the type of metronome sound. Sound Set Sets the sound card port for the metronome.
Ouput To Sets metronome volume. Like a tape recorder, a digital audio file tries to exactly reflect an audio event, whether it's a musical performance, a person talking, or any other sound. In the upper-right corner of the Sequencer, click the Virtual Keyboard button.
This option is particularly useful for music with swing and shuffle rhythms, like jazz and blues. This option is particularly helpful for music with an odd number of beats per bar. Trim or extend notes Click the Select tool or the Draw tool In the grid, position the pointer over the left or right edge of a note. Ctrl-click to select multiple lines and adjust them simulta- neously.
Page Chapter Loops You can hear loop-based compositions in nearly all musical styles. If you change the Repeat Every X Seconds value, Adobe Audition ignores the tempo and stretches the file to finish its loop in the specified number of seconds. For example, if you play a Follow Session Tempo bpm loop in a bpm session, the loop is stretched to bpm. If you deselect this option, the loop plays at the tempo specified in the BPM text box.
Repeating on a beat lets you combine a loop in rhythm with other loops. Set original loop properties For either new or existing loop files, you can set loop properties such as tempo and key.
Adobe Audition uses these original properties to accurately adjust loops for different session tempos and keys. Page Adobe Audition can stretch it to whatever tempo you want. For a drum track, choose Non-Voiced—unless you want to pitch-shift drums when you change session key. When you save your changes, the updated audio automatically appears in your video projects.
You can move a video clip independently from the audio clip containing the original soundtrack. To instead keep such clips synchronized, group them. A zoom percentage Fits previews to the panel. Best Fit Maintains aspect ratio when you resize the panel. Page You can also use this procedure to export an audio mixdown that you recombine with video in a video application, such as Adobe Premiere Pro.
Though exported video files are limited to stereo audio, exported audio mixdowns support stereo and surround sound. Page Chapter Creating Surround Sound Surround sound basics About surround sound With surround sound, heard in many popular movies, you can pan an audio mix around a room.
Adobe Audition supports 5. To properly preview a 5. Track controls B. Waveform display with pan envelopes C. Left Surround B. Front Left C. Center D. Front Right E. Right Surround F. Low Frequency Effects Subwoofer G. Pan point Statically pan tracks in a surround mix In the Surround Encoder dialog box, select a track, and deselect Pan Envelopes. The pan point moves in tandem to show you the relative position in the surround field. Page Sets the overall amplitude for exported files. Use this slider with the output meters to maximize overall Master Level amplitude and ensure that no channels are clipping.
Displays the currently selected device to which Adobe Audition routes the six-channel, Preview Device, Format surround output. Note: If you plan to deliver exported files to an outside service for surround encoding, confirm format requirements with that service. Page Chapter Saving And Exporting Chapter Saving and exporting Saving and exporting files Save audio files individually In Edit View, you can save audio files in a variety of common formats. The format you choose depends on how you plan to use the file.
Keep in mind that each format stores unique information that might be discarded if you save a file in a different format. Page You can reopen a saved session file later to make further changes to the mix. If you create multitrack compositions entirely in Adobe Audition, save session files in the native SES format.
If you plan to share multitrack compositions with other applications, however, save sessions in XML format. Important: To more easily organize, move, and archive all files in a session, select the option above. If you plan to use Adobe Audition to burn the file to CD, leave this option selected. If you plan to use a different application, deselect this option, because that application may misinterpret non-audio information such as markers and metadata , producing an unpleasant burst of noise at the beginning of each track.
Page Audio File Formats About audio file formats Adobe Audition lets you open and save files in a wide variety of audio formats. Page As it saves a. Then, when Adobe Audition opens a. Page When you save a file to mp3 format, the audio is encoded and compressed according to the options you select. When you open an. Opening and resaving an. Page Determines how.
Deselecting this option allows. This format supports only mono, bit audio. If a file is in a different format, Adobe Audition prompts you to convert it before saving it. This format also supports loop points, which you can edit in the Marker List panel. The Label of the marker must be Page 3. When you export to video, you must save in the format of the video file you imported in the session. Provided that other audio editors support this information, it remains with an audio file throughout its lifetime.
Page Windows PCM. You must select this option in order to edit any of the other options. If you deselect this option, Adobe Audition deletes all Broadcast Wave metadata associated with the file when you click OK to close the dialog box. Page Set properties as desired, and click OK. Page Chapter Automating Tasks Chapter Automating tasks Favorites Apply favorites to audio files Favorites are effects, scripts, and even third-party tools that you can save for easy access.
The Favorites panel lists some defaults to get you started, plus any additional favorites you create. The same items appear in the Favorites menu. Page Click the Clear button to delete an existing shortcut. Note: If the keyboard shortcut you type is already used by Adobe Audition, a dialog box appears, giving you the option to overwrite the current shortcut.
Page Batch Processing Files Adobe Audition comes with several scripts that you can use to batch process files. You can also create your own scripts. To use a script for batch processing, you must record the script on an open waveform with no selection. Click the tabs at the bottom of the dialog box to set the batch processing options described below, and then click Run Batch.
Page Scripts In Edit View, scripts let you save a series of actions, such as copying data or applying an effect, so you can perform those actions again with the click of a button. Scripts are simple text files that are similar to macros; Adobe Audition stores the exact actions of your mouse and any tweaking of parameters, so you can repeat them in the same sequence when you run the script. The file first opens in Adobe Audition, and then is inserted into the track list. To insert the entire file, make sure that no audio is selected; to insert part of a file, select the desired range.
CD players that support CD Text display the text during playback. You can also change the length of pauses between tracks, enable or disable copy protection and pre-emphasis features, and add an ISRC International Standard Recording Code number. Note: Audio on CDs must be If you insert a track with a different sample type, Adobe Audition automatically converts the audio for you.
Page Specifies how many copies of the CD you want to burn. You can burn up to 99 copies of a CD. Ejects the CD tray upon completion of the write process. Adobe Audition also features a shortcut bar with groups of buttons you can show or hide to suit your current task. This partial list includes the shortcuts that many Adobe Audition experts find most useful. Result Shortcut Open Edit View Result Shortcut Page Chapter Digital Audio Glossary possible amplitude levels and a 48 dB dynamic range; bit resolution provides 65, levels and a 96 dB range.
Adobe Audition supports up to bit resolution with 4,,, possible levels. For the best audio quality, remain at bit resolution while transforming audio in Adobe Audition, and then convert to a lower bit depth for output. An audio track comprised of clicks that occur on the beat, like a metronome. Click tracks are often used Page Editing such as cutting and pasting, or effects processing that changes the original audio data.
In Adobe Audition, Edit View is a destructive editing environment; however, edits do not permanently change audio until you save a file. Page On the audio spectrum, pink noise falls exactly between brown and white noise.
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